Jennifer Steinkamp: Eye Catching

Eye Catching was created for the historic Yerebatan Cistern. Three computer animated trees were projected on the walls of the cistern which respond to two ancient Medusa Heads that are used as column supports in the cistern. Curiously, one is placed upside down, while the other is on her side. Animated enchanted trees sway while their branches move like Medusa's serpentine hair. The installation is meant to be a celebration of the power of female sexuality and Medusa's beauty.

My work has dealt with the issue of poetic justice in varying degrees
for quite along time. My earliest works involved a visual poetic response to feminist politics and the injustices I experienced around
me. I set out to create a sensual space within architecture from a very
female point of view. A few years ago, the American "justice" system
run by conservatives put their candidate in the presidential office; since then, my work has contained messages of peace and commentary on war. I created a work titled "Jimmy Carter" named after the former president of the US who is a great humanitarian. At the time of this work and now, the US with its ridiculous media is controlling the thoughts of the populous by not giving a clear picture of the world situation; and it is very difficult to make any criticism of US policies without being labeled unpatriotic. As a result, I named my art after Jimmy Carter who stands for peace and progress throughout the world. This was a way to criticize US policies while being patriotic.

Eye Catching was made in response to its context; there are two Medusa
heads at the Yerbatan Cistern. I researched the incredible story of
Medusa, realizing there is a very feminist psychological interpretation
of the tale. Medusa is an extraordinarily beautiful woman, she was
raped by a sea god, then through jealousy she was transformed by Athena into an incredible monster with serpentine hair and a gaze that would turn men to stone. This is the ultimate extension of the power of female sexuality, and the fear this can invoke in men. I created trees to add to the enchanted environment of the cistern, as if Medusa's sensuality transformed the environment.